Cristina Trivellin graduated in the Humanities from Bologna University. As an art critic, journalist and curator, she is the editorial director of D’ARS – a contemporary art and cultures magazine - and www.darsmagazine.it. A member of AICA (The International Association of Art Critics), she plans and critiques cultural events in Italy and abroad with a look at the underground movements of contemporary art. Her philosophical interests focus on complexity theory and on post-humanism in cultural theories.
Articles of Cristina Trivellin
Vampyroteuthis Infernalis: l’alterità capovolta
The Vampyroteuthis Infernalis is a text that defies labels by layering scientific, philosophical, and anthropological perspectives. We should read it “lengthwise” in order to share the vision of this brilliant metaphorical story and post-human fairy tale. Flusser eradicates points of view that are rusty, ancient and anthropocentric. In this, he sheds a beam of light not only on the ideas but also on the method, and the point of view. Throughout the book, the literary device turns out to be a kind of powerful “antivirus” against the rhetoric and the morals of our “a priori”. The Vampyroteuthis emerges where we dive: it is the dark side, the sleep of reason and the monster of dreams; it is the common unconscious, the fear of the unknown, the repression of drives; it is what is submerged by science and religion; it is the black, the different, the other; it is what we would like to suppress in ourselves, but actually, if this emergence is slow and conscious, the subsequent integration will be healthy and productive. It will be the utopia of new humans who look out and see themselves.