The Vilém Flusser Archive at the Berlin University of the Arts (http://www.flusser-archive.org/) holds and looks after the literary remains of the cultural theorist and philosopher Vilém Flusser. The archive identifies itself as an intersection in international research on Vilém Flusser, and endeavors to enhance accessibility to the work of this influential thinker. The aim of this article is to give a general overview on the individual collection of the archive and to describe its connections to the “mirror” archive in São Paulo and the Historical Archive of the City of Cologne. Among other topics, the authors of this paper report on the current situation of the digitization process of the Vilém Flusser Collection at the Cologne archive, while reflecting on future questions.
Technický obraz a logická stavba (Bau): Flusser a Wittgenstein / Das technische Bild und der logische Bau: Flusser und Wittgenstein
Both Wittgenstein and Flusser tried to find an answer to the question: how are media possible? Although Wittgenstein does not ask this question explicitly it can be detected in his Tractatus. Because of this fundamental similarity between both thinkers, it is possible to read Wittgenstein's theory of logical form from the point of view of Flusser's concept of techno-image and to interpret Flusser's notion of medium from the point of view articulated in Wittgenstein's Tractatus. At the same time, it is necessary to focus on their differences. Wittgenstein deals with the problem of the form of a significant world, while Flusser
focuses on the problem of specific artifacts, that is, technical images. For Wittgenstein a medium is generally one object placed among other objects. Flusser, on the other hand, is interested in a specific medium situated among other artifacts.