From God’s Death and Nothingness to the Re-Creation of the World: Vilém Flusser’s Intertextual Games
The essay deals with several motifs of Vilém Flusser’s philosophy focusing on the notion of nothingness – ontological horizon, conversation and establishment of being. The essay attempts to reconstruct the fundamentals of Flusser’s theory of being, based on an analysis of his fragmentary statements, which form a coherent whole grounded in a utopian vision of information society influenced by Aristotle, Kant, Nietzsche, Heidegger, Ingarden, Sartre and Levinas. Flusser’s writings are intertexts full of more or less concealed allusions, transformations, and polemics, as well as of congenial convergences with texts and ideas of other authors.
Fluss/er. Circle – Spiral – Cloud
This text is an attempt to capture Flusser’s thinking and its evolution over the years by focusing on three interrelated images: the circle, the spiral and the cloud. The first two are based on Flusser’s translation and retranslation theory, which negates the notions of simple progress, linearity and hierarchy. The third one is related to the last phase of Flusser’s thinking organized around the notions of calculation and the dot-like structure of digital images. Clouds are seen as swarms of free-floating points of view created by calculatory combination, as fields of possibility. The text begins with a short reflection on Flusser’s own name suggesting a direct link between it and some central tenets of his philosophy. The proper name Flusser is an image that can be used to interpret Vilém Flusser’s own thinking.