The following is an excerpt from Anne Popiel’s book Of Pixels and Particles. The digital connection between nature and art in Vilém Flusser’s philosophy . Published in 2012, it explores metaphorical connections between sand grains, droplets, bits, pixels and particles, linking the ocean of the Vampyroteuthis to moving sand dunes and the screen of the computer. “Flusser’s response to groundlessness is to create one’s own ground out of thin air, modeled by oceans, squids, spider webs and sand” (Popiel 2012: 14). His “metaphors translating sand grains into pixels and wind turbulence into algorithms highlight the digital structures present in both nature and computer technology that create an environment conducive to the spontaneous emergence of new order” (ibid.:54).
Wind and Desert
Two of the central nodes in Vilém Flusser’s metaphorical net that this part of Flusser Studies is trying to explore are the wind and the desert, which are not only linked to each other but also to other terms. The wind is a metaphor of the communication revolution. It penetrates into our homes and unsettles our habits, turning us into nomads. It is the immaterial ground on which nomads live and their very reason of being. Some nomads, like the Jewish tribes from the Bible, lived in makeshift tents and led an existence in Bodenlosigkeit, always on the move. Furthermore, the ephemeral sand dunes are related to Flusser’s notion of artificial worlds made out of dots, bits and pixels, composite worlds that resemble swarms and clouds.