Cybernetic Memories: Flusser’s Apparatus in the Age of Artificial Intelligence
This essay revisits Vilém Flusser’s concept of cybernetic memories to examine artificial intelligence as a terminal stage of the Apparatus, where predictive archives risk foreclosing the event of memory itself. Through dialogue with Bernard Stiegler, Jacques Derrida, Frédéric Neyrat, and Gilbert Simondon, it distinguishes memory as storage from memory as embodied impression, arguing that forgetting, abstraction, and rupture are conditions of learning and individuation. Against predictive temporality, the essay proposes prophetic survival, dialogical cybernetics, and the mechanologist as figures for preserving mental integrity, techno-intersubjectivity, and the human capacity for deep memory within AI-mediated technical systems.
Fantômes dans la machine (l’hypothèse de l’anabase). Sur le programme algorithmique / Ghosts in the machine (the Anabasis hypothesis). On the algorithmic program
The text approaches the idea of “Artificial Intelligence” in relation to its applications and its context of emergence. Using the two concepts of apparatus and program, extensively used by Vilém Flusser, we envision AI as a program pretending to be a tool, a confusion engineered to mask a structural reorganization of human activities, under the idelological principles of cybernetics. This sleight of hand uses cognitive deception and religious patterns to ensure the success of a neo-Fordist take over human brains. Within that cybernetic program and a data-driven society, the freedom of the citizen cannot rely on a play with the apparatus, as apparatus are more and more integrated into each other. Among Flusser's writings, the play with the apparatus is a local solution, as in the case of photography or computer art. To envision a wider solution, we have to resort to another hypothesis suggested by Flusser to face the rise of programs, the idea of withdrawal. We will consider the latent possibilities of this seemingly disappointing idea, envisioning withdrawal as a movement that would be both backward and forward, as in the classical example of the Anabasis. Considering there are no more outside, in which one could build and conceive an alternative to the authority of the programs, withdrawal could be a vital and preliminary move to disappear from the scrutiny of a panoptical control. Images and visibility appear as a key component of this strategy, prolonging Flusser's view on the medium and opening new possibilities.
El extraño señor llamado Vilém F.
This essay is a reflection from various perspectives on the life and work of Vilém Flusser. Structured as a series of scenes, it connects biographical and geographical reflections, ranging from his escape from Prague, his residence in Brazil, and his return to the city of his birth, with considerations on the peculiar structure and reception of his work, marked by its thematic and disciplinary heterogeneity. Through these scenes, the figure of a nomadic thinker, “groundless” (bodenlos) emerges, one who evades closed systems, inherited traditions of thought, and stable foundations. His life and work are permeated by displacement, discomfort, and constant challenge. Each section emphasizes a different aspect: his relationship with art and design, the playful character of his writing, his polyglot practice and its influence on his creative process, and his way of thinking about technology in dialogue with phenomenology, cybernetics, and philosophy. The aim is not to fix Flusser into a single definitive category as writer or philosopher, but to demystify him, placing him as a man of our present, highlighting his condition as a radical contemporary capable of reading our time as a Heraclitean flow, turbulent and labyrinthine.
The Online/Offline Distinction Will Dissolve
This paper argues that the internet typifies an ongoing restructuring of the social understanding of space and time, with regard to telecommunication, which grounds the offline/online distinction. Bernard Stiegler’s foundational concept of technics (re)frames the humanity-technology relationship as that which constitutes time via externalization of memory. This reframing initiates an investigation into how new age internet technologies recalibrate these spatiotemporal relations. Concepts such as ‘hybrid space’ go to show how space as a physical phenomenon begins to accord to digital programming, as seen with the case of locationally aware cell phones that organize and inform one’s approach to space. In Flusser’s notion of ‘technical image’ the linear historical time is supplanted by circular time. The last part of the paper is dedicated to Romeo Alquati’s notion of ‘valorizing information’ as a measurable economic exchange between human and machine that is objectified in the commodity.
Vilém Flusser et Abraham Moles: le fond et la forme d’une « affinité combative »
The central role that Abraham Moles played in Vilém Flusser's thought during the first years after his return to Europe in 1972 is indisputable. Certain personal coincidences are striking: they were born in the same year 1920, and they died six months apart (respectively in November 1991 and in May 1992). From a theoretical point of view, the affinities between the two friends are also remarkable: if the interest in the phenomenon of cybernetics connected them, it is the aesthetics of communication open to phenomenology that allowed them a fruitful exchange.
But there is a third element, more formal and less known: their paradoxical Jewishness. The reference to the Golem myth, which appears as the background of their cybernetic thoughts, seems to refer to the Judaic substratum that animated their method of study involving heated discussions.
Thus, after some biographical data, these three elements provide the general outline of the article: the cybernetic approach, the phenomenological method, and the Talmudic practice. The goal is to show how the relationship between Vilém Flusser and Abraham Moles shows that, beyond intellectual gestures, in which they sought, in a perpetual effort, to regroup (the law of “elective affinities”), real “combative affinities” remain, resisting the entropy of the world and eternal oblivion.
Flusser-Quellen. Teil I: Vorwort des Vilém Flusser Archivs, Oktober 2017
Flusser-Quellen (Flusser-Sources) is a comprehensive list of all of Vilém Flusser’s texts published between 1960 and 2002. It includes essays, book chapters, books CDs in seven different languages. It also contains a list of all interviews and videos directly related to his person and his work. Flusser-Quellen was developed by Klaus Sander in collaboration with the Vilém Flusser Archive and Andreas Müller-Pohle’s European Photography. The original plan was to publish this material as a volume of Müller-Pohle’s Editions of Flusser, together with a CD-ROM version. The material can be accessed here: http://s3.amazonaws.com/arena-attachments/1485097/d85714e287d539db39da46f0e5198b20.pdf?1512484296
Flusser, music and me
O sete teso / O medo do Demo
Os Fundamentos Científicos da Comunicação. Uma crítica flusseriana a comunicólogos cearenses e seus desdobramentos
Little is known on Flusser´s activities after his return to Europe from Brazil in 1972 and before the end of the seventies – settling first in Italy, then in France. It is fairly unknown, for instance, that he wrote reviews of Brazilian books about media and communications in order to evaluate and indicate them or not for publication in France. Three of those books are A Comunicação do Grotesco, by Muniz Sodré; Sociedade de massa (Comunicação e Literatura), by Luiz Beltrão; and Fundamentos Científicos da Comunicação, by various authors. Since Flusser hardly makes reference to this activity in his works, those reviews are of special interest because they present him as a connoisseur of communication theory, including cybernetics, in critical dialogue with contemporary Brazilian and international theory. The reviews analyzed here also provide information about the reception and the history of communication sciences in this period.
Pensamento Poético e Pensamento Calculante: o Dilema da Cibernética e do Humanismo em Vilém Flusser
This paper discusses the complex and contradictory status of cybernetics in Flusser’s thought. These contradictions are, to a large extent, intrinsic to the cybernetic paradigm, as demonstrated by authors such as Katherine Hayles and Céline Lafontaine. The strange combination between the humanistic point of view and cybernetics’ destruction of the humanistic subject, already present in Norbert Wiener, engenders a permanent and creative tension within Flusser’s work. The article argues that it is this creative tension that allows Flusser to establish a dialogue with radically new models of subjectivity, while at the same time remaining faithful to what – according to him – characterizes the apex of human experience: freedom and the willingness to engage in a playful relationship with the surrounding environment.